Vincent Van Gogh’s dynamic and intimate portrait of the Good Samaritan is based on the French painter Eugene Delacroix’s similar painting. Van Gogh painted his own version of Delacroix’s The Good Samaritan while recuperating at the asylum of Saint-Rémy after suffering from two mental breakdowns in the winter of 1888-89.

At the time, Van Gogh was feeling spent and fragile and this sense of helplessness colors both figures at the heart of the painting. The broken and attacked man can barely get up on the horse. His muscles appear limp, depleted of any strength that could help him sit upright. All the man appears capable of is clinging to his rescuer. Likewise, the Samaritan seems to be barely able to summon up the strength to lift the man on the horse. By imbuing the painting with his own brokenness, Van Gogh creates a moving depiction of Christ’s solidarity with us in our human weakness. Christ humbles himself, taking on the form of a slave (Phil 2:7). And we, like this robbed man, can do nothing without Christ who strengthens us (Phil 4:13).

In some of the earliest of interpretations of the parable by early Church theologians, most famously by Augustine, the Good Samaritan is an image of Christ. The two coins with which the Samaritan pays the innkeeper are the two commandments: to love the Lord Our God, and to love our neighbor as ourselves. During this Lenten season, we strive to love God more through purifying our lives of distracting loves of lesser things, and we strive to love our neighbor more through positive actions of charity and almsgiving.

As we meditate on this image of the Samaritan lifting up the weak robbed man, let us ponder what weaknesses we need Christ to heal in us this Lent. How is Christ seeking to reach us, even in our weakness? And how, through acts of almsgiving, can we be Good Samaritans for our neighbors in need this Lent?