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From Passion to Paschaltide: A Musical Journey

This Lenten and Easter season, FaithND invites you on a musical pilgrimage with the Magnificat Choir and the Folk Choir as we reflect on scenes of Christ’s Passion and Resurrection. Beginning on Friday, February 20, and continuing periodically throughout Lent, the series features recordings of Giovanni Battista Pergolesi’s Stabat Mater by the Notre Dame Magnificat Choir. This classic 18th-century work, which meditates on the sorrows of the Virgin Mary at the foot of the Cross, is presented here in segments coupled with the Stations of the Cross. As the liturgical calendar moves into Holy Week and the Easter season, the focus shifts to the Notre Dame Folk Choir’s original work, Drawn Back to the Table, which meditates on some of the most pivotal moments of our Christian faith. We invite you to a deeper connection as we walk together toward the light of Easter Sunday and beyond.
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Memory Song Memory Song

On this second Sunday of Easter, we step into the Notre Dame Folk Choir’s “Memory Song,” a prayerful overture that reminds us how beauty and hope persevere through any darkness. Watch as Will Buyske reflects on finding certain joy in the Resurrection.

Bethany Bethany

As we journey into Holy Week, we join the Notre Dame Folk Choir. Experience the “frugal-less love” of Bethany, where a simple meal becomes a radical act of devotion. Student Shannon Leavitt reflects on how our daily lives can become a witness to Christ’s love in this piece from Drawn Back to the Table.

Stabat Mater and Station III Stabat Mater and Station III

Step into a sacred reflection on a mother’s grief with sophomore Aurelia Smolen. Listen to the sinking violin lines that mimic sighs of compassion as we contemplate the heavy weight carried in the heart of the Blessed Virgin in Stabat Mater and Station III: Jesus Falls the First Time. < Previous Video Next Video >

Stabat Mater and Station II Stabat Mater and Station II

Watch as Tori Garascia, the Vice President of the Magnificat Choir and a member of the Class of 2027, explores the jagged melodies and grieving inflections that capture Mary’s raw anguish at the foot of the cross in Stabat Mater and Station II: Jesus is Made to Bear His Cross. < Previous Video Next Video …

Lenten Perspectives: The Art of the Raclin Murphy Museum